At 7:00 p.m tonight, the book “Do not Forget“: Teresa Proenza (1908-1989). A Cuban spy in politics, culture, and art in Mexico, by historian Xavier Guzmán Urbiola will be presented in the Sala Adamo Boari of the Palacio de Bellas Artes in Mexico City.
“I wrote it from affection, I’m not interested in prosecuting anyone, I do it as a historian,” said Guzmán Urbiola, who met Proenza and struck up a friendship with her for several years.
Among anecdotes, stories, events, and information revealed so far, Xavier Guzmán Urbiola delves into the enigmatic life of Teresa Proenza.
Nobody had gathered this information, the book is made with first-hand sources, such as the Proenza file, which is housed in the National Center for Research, Documentation, and Information of Plastic Arts (Cenidiap) of the National Institute of Fine Arts and Literature (INBAL), as well as its file in the Federal Security Directorate (DFS).
80 percent of what is mentioned is unknown, many people who had access to the manuscripts, and now the book, is amazed at the number of episodes and events it contains. It is full of surprises, said Guzmán Urbiola.
Teresa Proenza was born in Cuba in 1908 and died in 1989 in Mexico; her career covers almost the 20th century. “I tried to make the story of a typical Communist militant, with all its commitments, dreams, disenchantments, self-criticism and changes in approaches.”
She has to live very unique situations of the twentieth century and treats outstanding people. she leaves Cuba because of a bombing of her house, for the communist militancy of her brothers.
The year was 1932, the sons fled to Colombia, and the parents sent their sister Caridad to Guatemala, while Teresa and Juana Luisa went to Honduras.
Frida Kahlo and Diego Rivera
In 1933, Teresa arrives in exile in Mexico. It is the end of the maximato and principle of cardenismo. She is involved in various movements, is an activist and correspondent in the Spanish Civil War. During the Battle of Teruel sends collaborations to Cuban newspapers.
Later, in 1945, she met Narciso Bassols, Enrique González Martíne, and Diego Rivera, with whom she began to establish closer and closer relations of friendship; although they differ in politics, they admire the artist very much.
Xavier Guzmán comments that Teresa Proenza told him that knowing Diego was the “balm that helped her overcome her sectarianism”.
Feature continues here: Cuban Spy in Mexico